SPEAKER

Sara Sassanelli

Creditcopyright_Jack-Hogan_000044350039_4-5_reviewed-1
© Jack Hogan
Director
Alice Agency
Sara Sassanelli is co-founder of Alice Agency and Associate of CONDITIONS studio programme. Until 2024, they were Curator of Live at the Institute of Contemporary Arts (ICA) where they programmed across dance and electronic music, with a focus on emerging artists. Their work explores collective and enthusiastic cultures that form around raving and how these manifest in multidisciplinary practices. Their final ICA programme ‘this dark gleam’ (2024), showcased artists engaging with formal technique, social dance, pop culture, and punk sensibilities. Currently, they are working with artists Eve Stainton, Jack Hogan, Fernanda Muñoz-Newsome, Billy Bultheel, and Jose Funnell, among others. Previously, they have worked at ICA, Tate, Goldsmiths, and the Royal Academy of Arts, and have programmed events at Ormside Projects, Somerset House Studios, Southwark Platform, Guest Projects, Arts Admin, Fierce Festival, and Block Universe. Through Alice Agency they have worked with: Florence Sinclair, Olan Monk, Billy Bultheel, Arthur Jafa, Mark Leckey, Tzekin, Paulius Janusonis, Yen Chun Lin & Gediminas Zygus and Nitetrax. Previous programming and producing includes: Stream by Jack Hogan (2026), A Short History of Decay by Billy Bultheel (2025-2026),l The Joystick and The Reins by Eve Stainton at Bold Tendencies (2025), NX FUIMO by Tamara Alegre (2024), GONER by Malik Nashad Sharpe (2024), Afterlife by Louis Schou Hansen (2024) IMPACT DRIVER by Eve Stainton (2023), minus one series (2022 – 2023), Dykegeist by Eve Stainton (2021), The Last Breath Society by Martin O’Brien (2021), Rave Trilogy by Rebecca Salvadori (2020) The Tender Interval: Studies in Sound and Motion (2020), a convening exploring the transformational qualities of sound and dance practices and an all-night takeover of ICA by collective INFERNO (2020 & 2023).

Session

Art Institutions, Music Venues and New Curatorial Landscapes

The boundaries between contemporary art institutions and music cultures have become increasingly porous. Museums are hosting DJ sets and sound-related events, while clubs, festivals and music venues are commissioning exhibitions and interdisciplinary projects.

This convergence raises key curatorial questions. What can museums offer that clubs cannot? What happens to club culture when it enters institutional contexts? Why are music venues increasingly embracing broader artistic programming? How do artists navigate these overlapping ecosystems?

Bringing together artists, curators and cultural programmers, this session explores the opportunities and tensions that emerge when art institutions and music spaces collide. Participants will ultimately examine how different environments shape the audience experience and artistic production, and ask whether these developments represent meaningful experimentation or risk instrumentalising music, art and subculture for institutional purposes.
Panel Discussion
🇬🇧 English
BUSINESS
Global Connections
Convention
Speakers
  • KUBORAUM_LivioGraziotin_SergioEusebi_reviewed-1
    Sergio Eusebi
  • 2cd66964-1c92-4441-9171-1a1c6ca9f60e_reviewed
    Gregor Quack
  • untitled-11_reviewed-1
    Laurens von Oswald
Moderators
Creditcopyright_Jack-Hogan_000044350039_4-5_reviewed-1
Sara Sassanelli
Music Hall 1 – nhow Berlin
Nov 5, 2026,
1.35 PM –
2.25 PM